Close

This site uses cookies. No personal data is stored. You can read how we use them in our cookies policy. Continuing on this site accepts their use. Thankyou.

Viewing swaag.org website implies consent to set cookies on your computer. Full details Swaledale and Arkengarthdale Archaeology Group
Registered Charitable Incorporated Organisation Number 1155775
SWAAG Honorary President:
Tim Laurie FSA

Jocelyn's  Artwork

All Artwork © Jocelyn Campbell

Sketches J201 to J250

http://jocelyn.swaag.org/#3

Best viewed in Full Screen Mode
   The index numbers are visible when viewing sketches in Full Screen mode  

Gallery View

Jocelyn's Menu

INDEX

J201  Swinnergill J226 Skeletal Yew with Rowan
J202 Large Ash, Ivelet J227
J203 Ash, Ivelet J228 West Arngill
J204 'Across the Swale with hawthorns and ancient walls', Arngill J229
J205 Birches and Hazel, Ivelet J230  Yew Tree Ellerton Scar
J206 Oak, Corn Mill, Arkengarthdale J231 Alder, Eskelith Banks
J207 Pine Scar House drive, St Mary's graveyard. J232 Hawthorn West Hagg
J208 Marrick Priory J233 West Hagg Dig
J209 White Scar J234 Hagg Farm Hawthorns on 19C 'eye-catcher' folly.
J210 Richmond to Stainton turning J235 Coppiced Oak, Scar Spring Wood, Stainton.
J211 Beach stump Scar House, Arkengarthdale J236 Large-leaf Lime. Willance's leap
J212 Elm stump marrick Priory. J237 'Fort' Whitecliffe Scar
J213 Scar House Drive, Arkengarthdale. J238 Applegarth Scar
J214 Whitsundale J239 Clapgate
J215 Coppiced Ash J240 Pollarded Beech, Whitecliffe Woods
J216 Mountain Ash High Moss J241 Spindle Throstle Scar
J217 Clapgate Scar, Yew, Ash and Rowan. J242
J218 Sicamore Scarhouse garden. J243 Beeches at Cordilleras
J219 Round How Fallen Apple tree J244 Thwaite Beck
J220 Clapgate Bank Yew J245 Scarhouses Fall
J221 Marrick Priory J246 Holly Trees in Rowleth Wood
J222 Scar House Drive J247 Hooker Mill Scar
J223 Beech Tree, St Mary's Arkengarthdale. J248 Wainwath Falls
J224 Yew Kexwith Beck Scar J249 Ivelett Plantation
J225  Yews Kexwith Beck Scar J250 Scars at Waitgate Gill
All Artwork:  ©  Jocelyn Campbell