IMG ID | Source | Description | Type | Size (mm) | Comments |
1 | Chert File | Photograph taken by J O Myers in 1946. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 159x162 | Quarrying blocks of chert ?Fremington Edge. John Stubbs and Raymond Longstaff. |
2 | Chert File | Photograph taken by J O Myers in 1946. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 159x162 | Quarrying blocks of chert ?Fremington Edge. John Stubbs and Raymond Longstaff. |
3 | Chert File | Photograph taken by J O Myers in 1946. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 177x126 | Quarrying blocks of chert ?Fremington Edge. John Stubbs and Raymond Longstaff. |
4 | Chert File | Photograph taken by J O Myers in 1946. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 125x180 | Quarrying blocks of chert ?Fremington Edge. John Stubbs and Raymond Longstaff. |
5 | Chert File | Photograph taken by J O Myers in 1946. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 175x127 | Quarrying blocks of chert ?Fremington Edge. John Stubbs and Raymond Longstaff. |
6 | Chert File | Photograph taken by J O Myers in 1946. 852 Drilling a shot hole See letters ID 16 to 19 inc. | B&W thought to be a primary print | 126x181 | Hungry Hush see JO Myers letter |
7 | Chert File | Photograph taken by J O Myers in 1946. 874. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 126x181 | Dressing chert. Hungry Hush see JO Myers letter |
8 | Chert File | Photograph taken by J O Myers in 1946. 850. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 126x181 | Hand drilling chert. Hungry Hush see JO Myers letter |
9 | Chert File | Photograph taken by J O Myers in 1946. 875. See letters ID 16 to 19 inc. | B&W thought to be a primary print | 180x127 | Chert crane to the west of the tramway turntable at Hungry Hush |
10 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 81x124 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. People unknown |
11 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 124x81 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. Reverse of photo says "Top of Hill" |
12 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 81x124 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. "Top of Hill" on reverse |
13 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 81x124 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. Written on reverse "Ralph Hird on right? |
14 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 124x81 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. Chert loading bay near cattle grid on tan Hill road. |
15 | Chert File | One of six images taken in the snow at Hungry Quarries, Mouldside of the levels and brake pulley above the tramway, Date unknown. | B&W images | 81x124 | Letter from Jean Henderson which enclosed images. Letter appears later in this archive at ID 23 to 28. Written on reverse ?Ralph Hird on the right |
16 | Chert File | Letter to Swaledale Museum | Scanned document | 150x210 | Linked letters from J O Myers and Bill and Jean Henderson see images ID 1 to 9. |
17 | Chert File | Letter regarding images etc | Scanned document | 150x210 | Linked letters from J O Myers and Bill and Jean Henderson see images ID 1 to 9. |
18 | Chert File | Letter | Scanned document | 150x210 | Linked letters from J O Myers and Bill and Jean Henderson see images ID 1 to 9. |
19 | Chert File | Letter | Scanned document | 150x210 | Linked letters from J O Myers and Bill and Jean Henderson see images ID 1 to 9. |
20 | Chert File | document wrapper around IDs 21 and 22. | Scanned document | A4 | |
21 | Chert File | Fremington Chert Quarries from Fremont Hutchinson. | Scanned document | 75x210 | Reeth and District Gazette ?date |
22 | Chert File | Chert mining in the two dales | Scanned document | 150x210 | Reeth and District Gazette July 2000 from Fremont Hutchinson |
23 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images. |
24 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images |
25 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images |
26 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images |
27 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images |
28 | Chert File | Letter | Scanned document | 150x210 | Letter to Swaledale Museum from Jean Henderson to Kay Jackson re Chert Quarries and additional images |
29 | Chert File | Hungry Chert Quarries Headed Document | Scanned document | 207x130 | From Jean Henderson |
30 | Chert File | The Boulder Flint Co Ltd, Explosives License 5th November 1927 renewed up to 5th April 1952. | Scanned document | 203x325 | From Jean Henderson See ID 31 |
31 | Chert File | The Boulder Flint Co Ltd, Explosives License 5th November 1927 renewed up to 5th April 1952. | Scanned document | 203x325 | From Jean Henderson See ID 30 |
32 | Chert File | Document enclosure with additional note by ?Kay Jackson | Scanned document | 258x160 | Kay Jackson |
33 | Chert File | Document enclosure with additional note by ?Kay Jackson | Scanned document | 258x160 | as SM_0032 ID 32 |
34 | Chert File | Wrapper for docs | Scanned document | A4 | From Jean Henderson |
35 | Chert File | Letter page 1 | Scanned document | 150x210 | From Jean Henderson |
36 | Chert File | Letter page 2 | Scanned document | 150x210 | From Jean Henderson |
37 | Chert File | Hungry Hush | B&W image | 100x100 | From Jean Henderson From left Ramsey Hutchinson, Sydney Hird, Parkin Waller on tractor, Willie Stubbs, ? tramway |
38 | Chert File | Dismantelling the tramway | B&W image | 100x100 | From Jean Henderson Leo Hutchinson and George Wilson |
39 | Chert File | Roadside Chert loading bay (near the cattle grid on the Tan Hill road) | B&W image | 100x100 | From Jean Henderson |
40 | Chert File | Mouldside Chert | B&W image | 100x100 | From Jean Henderson From the left: George Wilson, Sydney Hird, ?, Willie Stubbs, Ramsey Hutchinson and Leo Hutchinson |
41 | Chert File | Mouldside Chert | B&W image | 100x100 | From Jean Henderson |
42 | Chert File | Hungry Hushes towards the top? | B&W image | 100x100 | From Jean Henderson Parkin Waller on the tractor, Willie Stubbs, Ramsey Hutchinson and ? |
43 | Chert File | Mouldside Chert | B&W negative scanned document with digital processing | 84x60 | From Jean Henderson with no further details about the images |
44 | Chert File | Mouldside Chert | B&W negative scanned document with digital processing | 84x60 | From Jean Henderson with no further details about the images ? Richmond Station |
45 | Chert File | Mouldside Chert | B&W negative scanned document with digital processing | 84x60 | From Jean Henderson with no further details about the images Tan Hill Road loading bay at bottom of the tramway |
46 | Chert File | Mouldside Chert | B&W negative scanned document with digital processing | 84x60 | From Jean Henderson with no further details about the images |
47 | Chert File | Notes | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
48 | Chert File | Notes page 2 see ID 47 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
49 | Chert File | J S Wagstaff (Jack) outside the Reeth Food Office
See further papers on his involvement in Chert and probably copper mining. in Kay's notes later in this archive SM_0069 | B&W image | 90x88 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
50 | Chert File | Reeth Food Office excerpt from Elsie Thompson's Reeth 1850-1950 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
51 | Chert File | Reeth Food Office excerpt from Elsie Thompson's Reeth 1850-1950 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
52 | Chert File | Reeth Food Office excerpt from Elsie Thompson's Reeth 1850-1950 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
53 | Chert File | Reeth Food Office excerpt from Elsie Thompson's Reeth 1850-1950 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
54 | Chert File | Note to Helen Clifford | Scanned document | 210x215 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
55 | Chert File | reverse of ID 54 | Scanned document | 210x215 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
56 | Chert File | Mouldside from CB yard to Hungry Hush. | Scanned document of a scanned document | 175x160 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
57 | Chert File | Using chert in the pottery industry | Scanned document of a scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
58 | Chert File | re ID 57 image of what replaced chert in the pottery indusrty | Scanned document of an inkjet printed image | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
59 | Chert File | Letter from Jean Henderson 19/05/2000 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
60 | Chert File | Notes by Kay | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
61 | Chert File | Partial manuscript draft See ID 61-64 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
62 | Chert File | Partial manuscript draft See ID 61-64 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
63 | Chert File | Partial manuscript draft See ID 61-64 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
64 | Chert File | Partial manuscript draft See ID 61-64 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
65 | Chert File | Partial manuscript draft See ID 65-66 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
66 | Chert File | Partial manuscript draft See ID 65-66 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
67 | Chert File | Partial manuscript draft See ID 67-68 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
68 | Chert File | Partial manuscript draft See ID 67-68 | Scanned document | A4 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
69 | Chert File | Notes on Jack Wagstaff. See SM_0049 | Scanned document | 160x195 | Kay Jackson File on Chert Quarrying in Swaledale and Arkengarthdale British Mining No.90 pp 121-140. Notes |
70 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
71 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned document | | |
72 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
73 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society for the North East Bulletin 6 | Scanned document | 160x195 | |
74 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
75 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
76 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 90x130 | |
77 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 1 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
78 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
79 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
80 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
81 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned document | 122x102 | |
82 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
83 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
84 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 90x130 | |
85 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 2 Grinton Lead Smelt Mill 1969 | Scanned B&W image | 130x90 | |
86 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 3 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
87 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 3 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
88 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 3 Great Punchard Gill 1969 | Scanned B&W image | 90x130 | |
89 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 3 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
90 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 4 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
91 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 4 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
92 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 4 Great Punchard Gill 1969 | Scanned B&W image | 130x90 | |
93 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 CB New Mill diagram | Scanned document | 100x125 | |
94 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 CB New Mill diagram | Scanned document | 100x122 | |
95 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 Octagonal Smelt Mill 1969 | Scanned B&W image | 130x90 | |
96 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 Octagonal Smelt Mill 1969 | Scanned B&W image | 90x130 | |
97 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 Octagonal Smelt Mill 1969 | Scanned B&W image | 130x90 | |
98 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 5 Octagonal Smelt Mill 1969 | Scanned B&W image | 130x90 | |
99 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 6 CB Hexagonal Powder House / Candle House 1969 | Scanned B&W image | 130x90 | |
100 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Album page 6 CB Hexagonal Powder House / Candle House 1969 | Scanned B&W image | 130x90 | |
101 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Tanner Rake, Sleigill, 1969 | Scanned B&W image | 130x90 | Extreme left Cockleshell House and Sleigill House mid right. |
102 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Washy Green waterwheel race. | Scanned B&W image | 130x90 | |
103 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | ?Stang House | Scanned B&W image | 130x90 | |
104 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Uncertain | Scanned B&W image | 130x90 | |
105 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Stang Level | Scanned B&W image | 130x90 | |
106 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 | Scanned B&W image | 130x90 | Early chimney remains mid left and flue up and over Healaugh Side can be seen. |
107 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 and Barney Beck | Scanned B&W image | 130x90 | |
108 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 - view of flue leaving the smelt mill. | Scanned B&W image | 90x130 | |
109 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 - Peat house | Scanned B&W image | 130x90 | |
110 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 - Peat house | Scanned B&W image | 130x90 | |
111 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Surrender Smelt Mill 1969 - Peat house | Scanned B&W image | 130x90 | |
112 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Page 10 Gunnerside lower dressing floor with Bouseteams waterwheel race and spoil. | Scanned B&W image | 130x90 | |
113 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Gunnerside Beck: Mine shop and dressing floor a little further up the beck from SM_0112 and on the other bank. | Scanned B&W image | 130x90 | |
114 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Gunnerside Beck ?Sir Francis Level | Scanned B&W image | 130x90 | |
115 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Gunnerside Beck, possibly workings around Sir Arthur Level. | Scanned B&W image | 90x130 | |
116 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Bunton Level, Mine Shop and dressing floor | Scanned B&W image | 130x90 | |
117 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Bunton Level, Mine Shop and dressing floor | Scanned B&W image | 130x90 | |
118 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Bunton Level, Mine Shop and dressing floor | Scanned B&W image | 130x90 | |
119 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Bunton Level, Mine Shop and dressing floor | Scanned B&W image | 130x90 | |
120 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
121 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
122 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 90x130 | |
123 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
124 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
125 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
126 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
127 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
128 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Blakethwaite Smelt Mill | Scanned B&W image | 130x90 | |
129 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 130x90 | |
130 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 130x90 | |
131 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 130x90 | |
132 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 90x130 | ? Sleigill |
133 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 90x130 | ?sleigill |
134 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 90x130 | Sleigill? |
135 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known | Scanned B&W image | 130x90 | ? Sleigill |
136 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Marrick Smelt Mill | Scanned B&W image | 130x90 | |
137 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Marrick Smelt Mill | Scanned B&W image | 130x90 | |
138 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Marrick Smelt Mill | Scanned B&W image | 130x90 | |
139 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Marrick Smelt Mill | Scanned B&W image | 90x130 | |
140 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Marrick Smelt Mill | Scanned B&W image | 130x90 | |
141 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills | Scanned B&W image | 90x130 | |
142 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills | Scanned B&W image | 130x90 | |
143 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills | Scanned B&W image | 90x130 | |
144 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills | Scanned B&W image | 90x130 | |
145 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills | Scanned B&W image | 130x90 | |
146 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills - Peathouse | Scanned B&W image | 130x90 | |
147 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Smelt Mills - Peathouse | Scanned B&W image | 130x90 | |
148 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Old Gang Mimes - Spence Level | Scanned B&W image | 90x130 | |
149 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Mouldside from Stang Road | Scanned B&W image | 130x90 | |
150 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Moulds Level | Scanned B&W image | 90x130 | |
151 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
152 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
153 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
154 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
155 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
156 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
157 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
158 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
159 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
160 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 90x130 | |
161 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
162 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
163 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
164 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 90x130 | |
165 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 90x130 | |
166 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope | Scanned B&W image | 130x90 | |
167 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
168 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 90x130 | |
169 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
170 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
171 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
172 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
173 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
174 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
175 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
176 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 90x130 | |
177 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
178 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
179 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
180 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
181 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
182 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
183 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
184 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Unknown location please advise if known. ? Weardale | Scanned B&W image | 130x90 | |
185 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | ID 185 to 205 inclusive |
186 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
187 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
188 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
189 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
190 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
191 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
192 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
193 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
194 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
195 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
196 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page x2 | |
197 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
198 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
199 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
200 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
201 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
202 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
203 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
204 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
205 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
206 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | |
207 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Industrial Archaeology Society fo the North east Bulletin 6 July 1968 20 pages plus cover. | Scanned document | 160x195 each page | ID 185 to 205 inclusive |
208 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Guardian 19/10/1970 Miners Hall Rookhope | Scanned document | 140x195 | |
209 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Guardian 19/10/1970 Miners Hall Rookhope | Scanned document | 140x295 | |
210 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Guardian 29/12/1969 Killhope Wheel Park Level Mill | Scanned document | 190 x105 | |
211 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Treasures of Dales Mining 5 page article ? from a Wensleydale publication. See ID 211 - 213 | Scanned document | 140x215 | |
212 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Treasures of Dales Mining 5 page article ? from a Wensleydale publication. See ID 211 - 213 | Scanned document | 140x215 x2 | |
213 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Treasures of Dales Mining 5 page article ? from a Wensleydale publication. See ID 211 - 213 | Scanned document | 140x215 x2 | |
214 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Observer 03/10/1971 Quite mineral rush covering Britain. | Scanned document | 300x240 | |
215 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The Observer 03/10/1971 Quite mineral rush covering Britain. | Scanned document | 300x240 | |
216 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Newspaper clipping source unknown but local ? D&$ See ID 217 which contains the top of the article. Lead from the area where the reservoir builders have begun. | Scanned document | 430x150 | |
217 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Newspaper clipping source unknown but local ? D&$ See ID 217 which contains the top of the article. Lead from the area where the reservoir builders have begun. | Scanned document | 430x150 | |
218 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Newspaper clipping of John Hill barytes mine manager. Source unknown. See the rest at ID 221 | Scanned document | 130x90 | |
219 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope Wheel Information leaflet. Durham County Council. | Scanned document | 280x210 | |
220 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Killhope Wheel Information leaflet. Durham County Council. | Scanned document | 280x210 | |
221 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Newspaper clipping of John Hill barytes mine manager. Source unknown. See the rest at ID 218 | Scanned document | 90x120 | see also ID 218 |
222 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Northern Echo 14/10/1972 Relics of the Lead Miners. scanned in 4 images IDs 222-225 | Scanned document | 380x350 | |
223 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Northern Echo 14/10/1972 Relics of the Lead Miners. scanned in 4 images IDs 222-225 | Scanned document | 380x350 | |
224 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Northern Echo 14/10/1972 Relics of the Lead Miners. scanned in 4 images IDs 222-225 | Scanned document | 380x350 | |
225 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Northern Echo 14/10/1972 Relics of the Lead Miners. scanned in 4 images IDs 222-225 | Scanned document | 380x350 | |
226 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The old Mines of Strontian scanned in 4 images IDs 226 to 229 inc. | Scanned document | 300x210 | |
227 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The old Mines of Strontian scanned in 4 images IDs 226 to 229 inc. | Scanned document | 300x210 | |
228 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The old Mines of Strontian scanned in 4 images IDs 226 to 229 inc. | Scanned document | 300x210 | |
229 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | The old Mines of Strontian scanned in 4 images IDs 226 to 229 inc. | Scanned document | 300x210 | |
230 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
231 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
232 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
233 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
234 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
235 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
236 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
237 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
238 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
239 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
240 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
241 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
242 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
243 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned B&W image | 190x250 | |
244 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
245 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
246 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
247 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
248 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 190x250 | |
249 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
250 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
251 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
252 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
253 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
254 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
255 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
256 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
257 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
258 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
259 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Extract from M.S. in Leeds Central Library compiled by J Backhouse of York. The following notes are the result of a survey of workings carried out c. 1907 and covers Arkengarthdale and Swaledale. Comprises 19 pages of hand written notes. ID 230-248. A large percentage of these notes (but not all) have been typed up on foolscape and follow on from ID 249-259. | Scanned document | 200x330 | |
260 | Revd John M Belcher, Startforth, Barnard Castle: Album of Lead Mining images and documents c1969. | Well know image of Nut Hole Level in 1910. Taken from a local newspaper ? D&S date unknown | Scanned document | 145x130 | |
261 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
262 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
263 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
264 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
265 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
266 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
267 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
268 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
269 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
270 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
271 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
272 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
273 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
274 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
275 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
276 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
277 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
278 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
279 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
280 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
281 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
282 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
283 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
284 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
285 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
286 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
287 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
288 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
289 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
290 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
291 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | A4 | |
292 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
293 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
294 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
295 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Scanned document | A4 | |
296 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
297 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
298 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
299 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
300 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
301 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
302 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318 | Multiple scans mozaic | Irregular | |
303 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
304 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
305 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
306 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
307 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
308 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
309 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
310 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
311 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
312 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Copper alloy brooch. | Digital colour image | | |
313 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
314 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
315 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
316 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
317 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
318 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 318. Images by Stephen Eastmead. | Digital colour image | | |
319 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | | |
320 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | | |
321 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | | |
322 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
323 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
324 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
325 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
326 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
327 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
328 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
329 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
330 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
331 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
332 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT |
333 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
334 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
335 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
336 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
337 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
338 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
339 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
340 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
341 | Swaledale and Arkengarthdale Archaeology Group: Hagg Farm Dig 1 Oct 2011 | Hagg Farm Fremington, October 2011 dig on Site 101. Archaeological Archive of the dig prepared by Archaeology Services Durham University, including images and report of one small find, and images taken by SWAAG: See IDs 261 to 341. ASDU REPORT | Converted pdf document to .jpg | A4 | |
342 | John Hardy Album 1 | John Hardy. (Inside front cover of album) | Colour print scan | 145x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
343 | John Hardy Album 1 | Note: The pictures in this album are of varied quality. Taken by John and Peter Hardy. | small label | 100x50 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
344 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
345 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
346 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
347 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside 1981 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
348 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside 1981 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
349 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside - clearing a roof fall. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
350 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside North Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
351 | John Hardy Album 1 | John Hardy Priscilla Level Gunnerside North Vein | Colour print scan VERY POOR QUALITY | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
352 | John Hardy Album 1 | Blind Gill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
353 | John Hardy Album 1 | Blind Gill Level 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
354 | John Hardy Album 1 | Priscilla level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
355 | John Hardy Album 1 | Reynaldson + cut at Blind Gill Mine | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
356 | John Hardy Album 1 | Blind Gill Mine 1320 yards from entrance to vein 1980 | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
357 | John Hardy Album 1 | Blind Gill Mine 1320 yards from entrance to vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
358 | John Hardy Album 1 | Grinton Smelt Mill | Colour print scan | 100x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
359 | John Hardy Album 1 | Beldi Hill Smelt Mill | Colour print scan | 100x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
360 | John Hardy Album 1 | ?ype Rutters Rise Blind Gill Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
361 | John Hardy Album 1 | ?ype Rutters Rise Blind Gill Mine 1980 | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
362 | John Hardy Album 1 | ?ype Rutters Rise Blind Gill Mine 1980 | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
363 | John Hardy Album 1 | ?ype Rutters Rise Blind Gill Mine 1980 | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
364 | John Hardy Album 1 | ?ype Rutters Rise Blind Gill Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
365 | John Hardy Album 1 | Staple Engine shaft to Sir George Mine [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
366 | John Hardy Album 1 | Smithy Mine Whitaside [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
367 | John Hardy Album 1 | Smithy Mine Whitaside Drift in Smithy [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
368 | John Hardy Album 1 | Swale valley from Crackpot Hall [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
369 | John Hardy Album 1 | Old Rake Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
370 | John Hardy Album 1 | Priscilla Mine | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
371 | John Hardy Album 1 | Stope Fryerfold Vein Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
372 | John Hardy Album 1 | Slate workings Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
373 | John Hardy Album 1 | Slate workings Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
374 | John Hardy Album 1 | Slate workings Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
375 | John Hardy Album 1 | Slate workings Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
376 | John Hardy Album 1 | Stope Gorton Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
377 | John Hardy Album 1 | Priscilla Mine debris from fall-out 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
378 | John Hardy Album 1 | Stope Gorton Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
379 | John Hardy Album 1 | Compressed Air Tank Sir Francis Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
380 | John Hardy Album 1 | Swale from Crackpot Hall [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
381 | John Hardy Album 1 | Blakethwait [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
382 | John Hardy Album 1 | Swale from Crackpot Hall [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
383 | John Hardy Album 1 | Old Rake Vein Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
384 | John Hardy Album 1 | Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
385 | John Hardy Album 1 | Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
386 | John Hardy Album 1 | Booze Wood Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
387 | John Hardy Album 1 | Drift Windegg Mines | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
388 | John Hardy Album 1 | ???? vein Windegg Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
389 | John Hardy Album 1 | Rise Windegg Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
390 | John Hardy Album 1 | Stoping Windegg Mines | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
391 | John Hardy Album 1 | Old Rake Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
392 | John Hardy Album 1 | Routh Mine Arkengarthdale | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
393 | John Hardy Album 1 | Routh Mine Arkengarthdale | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
394 | John Hardy Album 1 | Grinton Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
395 | John Hardy Album 1 | Devis Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
396 | John Hardy Album 1 | Devis Level (Entry to) | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
397 | John Hardy Album 1 | Old Field Hush Gutter | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
398 | John Hardy Album 1 | Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
399 | John Hardy Album 1 | Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
400 | John Hardy Album 1 | Toward Thwaite and Booze from Moulds Top [sic] (Turf Moor Hush foreground and Tottergill Plantation on left) | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
401 | John Hardy Album 1 | Toward Thwaite and Booze from Moulds Top [sic] (foreground Tottergill Plantation) | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
402 | John Hardy Album 1 | Vein in Brandy Bottle | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
403 | John Hardy Album 1 | Piller in Brandy Bottle | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
404 | John Hardy Album 1 | Vein in Brandy Bottle | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
405 | John Hardy Album 1 | Old Pipe Brandy Bottle Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
406 | John Hardy Album 1 | Bottom of Brandy Bottle Incline | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
407 | John Hardy Album 1 | Entrance tp Black & cut [sic] ? at Brandy Bottle | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
408 | John Hardy Album 1 | Bottom of Brandy Bottle Incline looking to Fryerfold Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
409 | John Hardy Album 1 | Old tubs in Black & cut [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
410 | John Hardy Album 1 | Brandy Bottler vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
411 | John Hardy Album 1 | Falloput North Rake Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
412 | John Hardy Album 1 | Entrance Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
413 | John Hardy Album 1 | Support for a weak wall Fryerfold vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
414 | John Hardy Album 1 | Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
415 | John Hardy Album 1 | Stope at Old Rake Bunting | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
416 | John Hardy Album 1 | Climbing stope at Old Rake Bunting 1982 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
417 | John Hardy Album 1 | Excavation at Old Rake Bunting | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
418 | John Hardy Album 1 | Rigg String Hopper 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
419 | John Hardy Album 1 | Rigg String Hopper 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
420 | John Hardy Album 1 | Gorton Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
421 | John Hardy Album 1 | Peter and Chris Hardy Sloat hole Mine 1976 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
422 | John Hardy Album 1 | Sir Francis | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
423 | John Hardy Album 1 | Scarr House Arkengarthdale | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
424 | John Hardy Album 1 | Old Powder House, Arkengarthdale | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
425 | John Hardy Album 1 | Hopper Hard level Old Rake [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
426 | John Hardy Album 1 | John Hardy at Hard Level Head | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
427 | John Hardy Album 1 | Martin Hardy at Brandy Bottle Incline | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
428 | John Hardy Album 1 | John Hardy | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
429 | John Hardy Album 1 | Peter Hardy | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
430 | John Hardy Album 1 | Peter Hardy at Bunting | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
431 | John Hardy Album 1 | Black & Cut [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
432 | John Hardy Album 1 | Brandy Bottle Incline | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
433 | John Hardy Album 1 | Miller & Cut [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
434 | John Hardy Album 1 | Top of Bearpark's Rise | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
435 | John Hardy Album 1 | Surrender Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
436 | John Hardy Album 1 | Sir Francis Compressed air tank | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
437 | John Hardy Album 1 | Sir Francis Compressed air tank | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
438 | John Hardy Album 1 | Sir Francis underground engine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
439 | John Hardy Album 1 | Rise from Landy Level to Crackpot Mine [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
440 | John Hardy Album 1 | John Hardy 'Contemplation' [sic] Old Gang flue in background | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
441 | John Hardy Album 1 | Bearpark's Rise | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
442 | John Hardy Album 1 | The Powder house Arkengarthdale | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
443 | John Hardy Album 1 | Temperance Hotel Reeth | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
444 | John Hardy Album 1 | The Old Half Moon 1980 Reeth | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
445 | John Hardy Album 1 | The Old Forge Reeth 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
446 | John Hardy Album 1 | Swale Hall, Grinton 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
447 | John Hardy Album 1 | Old Rake Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
448 | John Hardy Album 1 | Sun Gutter Level | Colour print scan | 100x90 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
449 | John Hardy Album 1 | Old Field Hush | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
450 | John Hardy Album 1 | Old doorway in the Old Level Faggergill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
451 | John Hardy Album 1 | Old Level Faggergill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
452 | John Hardy Album 1 | 88 foot ladder | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
453 | John Hardy Album 1 | AD House | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
454 | John Hardy Album 1 | Spence Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
455 | John Hardy Album 1 | Bingsteads Old Gang Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
456 | John Hardy Album 1 | Dirk from Sloat Hole Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
457 | John Hardy Album 1 | Digging out Priscilla - Peter Hardy | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
458 | John Hardy Album 1 | John Hardy at Crackpot Mine 2000 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
459 | John Hardy Album 1 | David Young looking at hotching tub on a wagon chassis lower Mouldside 1995 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
460 | John Hardy Album 1 | David Young at Jabez Cave 2002 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
461 | John Hardy Album 1 | Rise at Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
462 | John Hardy Album 1 | Winding gear at Sir Francis | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
463 | John Hardy Album 1 | Miners Bridge at Swinnergill | Colour print scan | 100x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
464 | John Hardy Album 1 | Tan Hill Pit | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
465 | John Hardy Album 1 | Swaledale's Amputation Equipment | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
466 | John Hardy Album 1 | Blakethwaite Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
467 | John Hardy Album 1 | Marrick Smelt Mills serving Hurst Mines | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
468 | John Hardy Album 1 | Surrender Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
469 | John Hardy Album 1 | John Hardy at Hard Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
470 | John Hardy Album 1 | Under the old air shaft Hard Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
471 | John Hardy Album 1 | Tub in drift above Bearpark's Rise | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
472 | John Hardy Album 1 | Tub in drift above Bearpark's Rise | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
473 | John Hardy Album 1 | Peter Hardy Bunting String | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
474 | John Hardy Album 1 | Punchard Pit | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
475 | John Hardy Album 1 | Brandy Bottle Incline John Hardy | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
476 | John Hardy Album 1 | Brandy Bottle Incline and Fryerfold vein at its foot | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
477 | John Hardy Album 1 | Old Gang Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
478 | John Hardy Album 1 | Swinnergill Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
479 | John Hardy Album 1 | Hard Level Head | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
480 | John Hardy Album 1 | Hard Level North Rake Vein Whim Shaft | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
481 | John Hardy Album 1 | Sir Francis Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
482 | John Hardy Album 1 | Blakethwaite Dams | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
483 | John Hardy Album 1 | West Stonedale Moor Mines | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
484 | John Hardy Album 1 | Tubs in Sturfit level 1980 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
485 | John Hardy Album 1 | Rigg Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
486 | John Hardy Album 1 | Hopper Rigg String | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
487 | John Hardy Album 1 | Winding gear at Sir Francis | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
488 | John Hardy Album 1 | Iron ladder left behind in Old Rake Vein Bunting | Colour print scan Poor Quality | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
489 | John Hardy Album 1 | Chris Hardy Swinnergill Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
490 | John Hardy Album 1 | Swaledale Mines Ltd: The last of the mining. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
491 | John Hardy Album 1 | John and Peter Hardy salvaging the dirks | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
492 | John Hardy Album 1 | John and Peter Hardy salvaging the dirks | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
493 | John Hardy Album 1 | Bunting level Miller and cut | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
494 | John Hardy Album 1 | Platehole level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
495 | John Hardy Album 1 | Hard Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
496 | John Hardy Album 1 | Old doorway in the Old Level Faggergill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
497 | John Hardy Album 1 | Top of Bearpark's Rise | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
498 | John Hardy Album 1 | Brandy Bottle Incline | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
499 | John Hardy Album 1 | Fryerfold vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
500 | John Hardy Album 1 | Staple shaft Sir Francis | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
501 | John Hardy Album 1 | Rise at Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
502 | John Hardy Album 1 | smiddy shaft Swinnergill Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
503 | John Hardy Album 1 | Stope at Swinnergill Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
504 | John Hardy Album 1 | Precarious entry to Devis Lewvel | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
505 | John Hardy Album 1 | Very Old Level at Swinnergill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
506 | John Hardy Album 1 | Old Rake Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
507 | John Hardy Album 1 | 'Pedley' + Cut Old Gang | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
508 | John Hardy Album 1 | Blind Gill Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
509 | John Hardy Album 1 | Drift in Bunting with wooden rails. This is the only example ever seen by John Hardy and he notes that it is no longer accessible. | Colour print scan | 100x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
510 | John Hardy Album 1 | Booze Wood Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
511 | John Hardy Album 1 | Rise from Landy Level to Crackpot level [sic] | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
512 | John Hardy Album 1 | Old Man's tombstone Oct 30 1799 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
513 | John Hardy Album 1 | Spence Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
514 | John Hardy Album 1 | Priscilla excavation | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
515 | John Hardy Album 1 | Salvaging Dirks 1976/7 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
516 | John Hardy Album 1 | Salvaging Dirks 1976/7 | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
517 | John Hardy Album 1 | Booze Wood Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
518 | John Hardy Album 1 | Booze Wood Level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
519 | John Hardy Album 1 | Priscilla North Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
520 | John Hardy Album 1 | Rise Windegg Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
521 | John Hardy Album 1 | Rise and Drift Smithy level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
522 | John Hardy Album 1 | Rise and Drift Smithy level | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
523 | John Hardy Album 1 | Old Gang Smelt Mill | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
524 | John Hardy Album 1 | Old Rake Bunting - John Hardy | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
525 | John Hardy Album 1 | Old Level Swinnergill. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
526 | John Hardy Album 1 | Old Level Swinnergill: Sump. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
527 | John Hardy Album 1 | Brandy Bottle Vein. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
528 | John Hardy Album 1 | Salvaging Dirks | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
529 | John Hardy Album 1 | Rise at Bunting Mine | Colour print scan | 205x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
530 | John Hardy Album 1 | Octagonal and New Smelt Mill's flues | Colour print scan | 205x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
531 | John Hardy Album 1 | John Hardy in Faggergill Old Level | Colour print scan | 205x150 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
532 | John Hardy Album 1 | Brandy Bottle Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
533 | John Hardy Album 1 | Sir Francis stairway to enginehouse | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
534 | John Hardy Album 1 | Salvaging Dirks (Having a break) | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
535 | John Hardy Album 1 | This image found behind another with no associated inscription, it is probably Spence Level in Old Gang. | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
536 | John Hardy Album 1 | Peter Hardy climbing rise in Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
537 | John Hardy Album 1 | Brandy Bottle Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
538 | John Hardy Album 1 | Brandy Bottle Vein | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
539 | John Hardy Album 1 | Black + Cut (?Bunting) | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
540 | John Hardy Album 1 | Rise at Bunting Mine | Colour print scan | 150x100 | 199 images in all. Photographs of mixed quality. Some prints were affected by poor print processing that occurred in the 1980s turning them orange. These images have been digitally enhanced which has improved most of them to a great degree. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked JOHN HARDY ALBUM1 on the spine. |
541 | John Hardy Album 2 | Bunting Mine | Colour print scan | 200x155 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
542 | John Hardy Album 2 | Sir Francis Mine 1980 | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
543 | John Hardy Album 2 | Sir Francis Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
544 | John Hardy Album 2 | Sir Francis Mine 1980 | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
545 | John Hardy Album 2 | Steps in Engine House Sir Francis Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
546 | John Hardy Album 2 | Engine House Sir Francis Mine: Winding Engine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
547 | John Hardy Album 2 | Pumps and Winding gear at Sir Francis | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
548 | John Hardy Album 2 | Pumps and Winding gear at Sir Francis | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
549 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
550 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
551 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
552 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
553 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
554 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
555 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
556 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
557 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
558 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
559 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
560 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
561 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
562 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
563 | John Hardy Album 2 | Salvaging Dirks from Sloat Hole Mine, Faggergill. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
564 | John Hardy Album 2 | Old Moulds Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
565 | John Hardy Album 2 | Old Moulds Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
566 | John Hardy Album 2 | Old Moulds Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
567 | John Hardy Album 2 | Old Moulds Mine - Mine deterioration | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
568 | John Hardy Album 2 | Old Moulds Mine - Mine deterioration | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
569 | John Hardy Album 2 | Old Moulds Mine - Stemple Vein | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
570 | John Hardy Album 2 | Old Moulds Mine - Stemple Vein | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
571 | John Hardy Album 2 | Smithy Mine Whitaside | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
572 | John Hardy Album 2 | Smithy Mine Whitaside: Shaft entrance | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
573 | John Hardy Album 2 | Smithy Mine Whitaside: Shaft entrance | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
574 | John Hardy Album 2 | Smithy Mine Whitaside: Shaft entrance | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
575 | John Hardy Album 2 | Smithy Mine Whitaside Stope | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
576 | John Hardy Album 2 | Smithy Mine Whitaside: Tally | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
577 | John Hardy Album 2 | Smithy Mine Whitaside: Drift | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
578 | John Hardy Album 2 | (Crackpot Mine) | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
579 | John Hardy Album 2 | John Hardy at Bishops Dam 2000 | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
580 | John Hardy Album 2 | Swinnergill Smelt Mill | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
581 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
582 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
583 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
584 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
585 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
586 | John Hardy Album 2 | Crackpot Hall | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
587 | John Hardy Album 2 | Swinnergill Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
588 | John Hardy Album 2 | Brandy Bottle Incline | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
589 | John Hardy Album 2 | Brandy Bottle Incline | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
590 | John Hardy Album 2 | Brandy Bottle Vein. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
591 | John Hardy Album 2 | Brandy Bottle Vein. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
592 | John Hardy Album 2 | Brandy Bottle Vein. | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
593 | John Hardy Album 2 | Brandy Bottle Incline - lower | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
594 | John Hardy Album 2 | Brandy Bottle Incline and Fryerfold vein at its foot | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
595 | John Hardy Album 2 | Hopper in Bearpark's Rise | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
596 | John Hardy Album 2 | Junction of Old Rake Vein and North Rake Vein + cut | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
597 | John Hardy Album 2 | Shaft over Brandy Bottle | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
598 | John Hardy Album 2 | Hopper Old Rake | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
599 | John Hardy Album 2 | Ore reception point North Rake and Cut | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
600 | John Hardy Album 2 | Bunting Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
601 | John Hardy Album 2 | Bunting Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
602 | John Hardy Album 2 | Bunting Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
603 | John Hardy Album 2 | Bunting Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
604 | John Hardy Album 2 | Bunting Mine - Drift containing tails | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
605 | John Hardy Album 2 | Bunting Mine - Rise | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
606 | John Hardy Album 2 | Bunting Mine - Rise | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
607 | John Hardy Album 2 | Old Rake Bunting - Difficult entry | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
608 | John Hardy Album 2 | Bunting Mine - rise from Sir George Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
609 | John Hardy Album 2 | Bunting Mine - rise from Sir George Mine - Testing the rise | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
610 | John Hardy Album 2 | Bunting Mine - Old Rake excavations | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
611 | John Hardy Album 2 | Bunting Mine - Old Rake excavations | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
612 | John Hardy Album 2 | Bunting Mine: Supporting weak wall on the Fryerfold Vein | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
613 | John Hardy Album 2 | Bunting Mine: Supporting weak wall on the Fryerfold Vein | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
614 | John Hardy Album 2 | Old Rake Vein (bunting) Interesting walling | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
615 | John Hardy Album 2 | Old Rake Vein (?Bunting) Interesting walling | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
616 | John Hardy Album 2 | Old Rake ?Bunting - Iron ladder | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
617 | John Hardy Album 2 | Hard Level under old air shaft | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
618 | John Hardy Album 2 | Hard Level under old air shaft | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
619 | John Hardy Album 2 | Hard Level Head and Bearpark's Rise | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
620 | John Hardy Album 2 | Sir Francis water pipe feeding pumps and engines via a staple shaft | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
621 | John Hardy Album 2 | Sir Francis testing the staple shaft | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
622 | John Hardy Album 2 | Old Rake Vein Old Gang 1980 | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
623 | John Hardy Album 2 | Barras End Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
624 | John Hardy Album 2 | Barras End Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
625 | John Hardy Album 2 | Sturfit Hall Level | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
626 | John Hardy Album 2 | Sturfit Hall Level | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
627 | John Hardy Album 2 | Haggs Level | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
628 | John Hardy Album 2 | Pedley's + cut | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
629 | John Hardy Album 2 | Haverdale 2004 | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
630 | John Hardy Album 2 | Bingsteads Old Gang Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
631 | John Hardy Album 2 | Abandoned Machinery | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
632 | John Hardy Album 2 | The Black + Cut | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
633 | John Hardy Album 2 | Stang Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
634 | John Hardy Album 2 | Bunting Mine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
635 | John Hardy Album 2 | Old Gang Smelt Mill | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
636 | John Hardy Album 2 | The Old Manger ?Old Gang | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
637 | John Hardy Album 2 | Parting of the ways: AD mines left Old Gang Mines right | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
638 | John Hardy Album 2 | Sir Francis: Sump | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
639 | John Hardy Album 2 | Sir Francis: Cage | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
640 | John Hardy Album 2 | Sir Francis: Winding Engine | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
641 | John Hardy Album 2 | Plate Hole Mine Beldi Hill | Colour print scan | 150x100 | 101 images in all. Photographs of mixed quality. Some may be duplicates of Album 1 images. Some prints were affected by poor print processing that occurred in the 1980's turning them 'orange'. These images have been digitally enhanced which has improved most of them to a great degree. Original negatives are also in the album which may have fared better. Images are of reasonable quality unless otherwise stated. Not all images could be removed from the album to scan, and so were scanned in-situ. The album is marked 'JOHN HARDY ALBUM 2' on the spine. |
642 | Green File: Lead Mining Photographs on the spine. | Copyright permission letter from 1976 | Scanned image | Foolscap | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
643 | Green File: Lead Mining Photographs on the spine. | Copyright permission letter from 1976 | Scanned image | Foolscap | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
644 | Green File: Lead Mining Photographs on the spine. | Copyright permission letter from 1976 | Scanned image page top | Foolscap | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
645 | Green File: Lead Mining Photographs on the spine. | Copyright permission letter from 1976 | Scanned image | Foolscap page bottom | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
646 | Green File: Lead Mining Photographs on the spine. | Lead Mining Tools | Scanned image | 250x180 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
647 | Green File: Lead Mining Photographs on the spine. | Notes on reverse: Remains of ladder. Climbing shaft LB Nr Level House late 1960's | Scanned image | 180x130 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
648 | Green File: Lead Mining Photographs on the spine. | Notes on reverse: Arkengarthdale c1970 photo Mary Farnell. (Tub and rails at Hungry Chert Quarry on Moulds top, with the Stang Lane in the background.) | Scanned image | | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
649 | Green File: Lead Mining Photographs on the spine. | Weighing lead ingots at Richmond Station about 1870. | Scanned image | 190x180 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
650 | Green File: Lead Mining Photographs on the spine. | AD Mines Slag Hearth Account from 02/08/1806 to 13/09/1806 | Scanned image | 290x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
651 | Green File: Lead Mining Photographs on the spine. | Turf Moor Hushes | Scanned image | 195x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
652 | Green File: Lead Mining Photographs on the spine. | Turf Moor Hushes | Scanned image | 200x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
653 | Green File: Lead Mining Photographs on the spine. | Looking down a shaft at Punchard Pits, Punchard Gill Arkengarthdale (coal) | Scanned image | 195x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
654 | Green File: Lead Mining Photographs on the spine. | Langthwaite to Low Row water splash | Scanned image | 200x210 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
655 | Green File: Lead Mining Photographs on the spine. | View from Justice Level on Mouldside towards CB Inn. | Scanned image | | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
656 | Green File: Lead Mining Photographs on the spine. | ? Justice Level on Mouldside with wall around Tottergill on the left? | Scanned image | 195x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
657 | Green File: Lead Mining Photographs on the spine. | Bunton Mine and Hush 01/10/1975 | Scanned image | 190x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
658 | Green File: Lead Mining Photographs on the spine. | Cock Hill (Just north and the other side of the road from the 2 Marrick Smelt Mills.) | Scanned image | A4 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
659 | Green File: Lead Mining Photographs on the spine. | ?Mouldside | Scanned image | 190x180 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
660 | Green File: Lead Mining Photographs on the spine. | Shaft on Mouldside at NY 99267 02761 | Scanned image | 200x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
661 | Green File: Lead Mining Photographs on the spine. | Random shaft | Scanned image | 200x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
662 | Green File: Lead Mining Photographs on the spine. | Old Moulds Level, Mouldside | Scanned image | 160x210 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
663 | Green File: Lead Mining Photographs on the spine. | Old Moulds Level | Scanned image | 80x130 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
664 | Green File: Lead Mining Photographs on the spine. | Bunton Level 01/10/1975 | Scanned image | 190x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
665 | Green File: Lead Mining Photographs on the spine. | No information: Looks like a smelt mill flue ?Mouldside | Scanned image | 200x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
666 | Green File: Lead Mining Photographs on the spine. | On back of photo: Entering Hard Level Old Gang | Scanned image | 150x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
667 | Green File: Lead Mining Photographs on the spine. | No information but looks like twin smelt mill flues most likely Mouldside from Octagon (right) and New (left) Smelt Mills | Scanned image | 200x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
668 | Green File: Lead Mining Photographs on the spine. | Plate Hole or Low Level Beldi Hill Mines | Scanned image | 80x126 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
669 | Green File: Lead Mining Photographs on the spine. | Brandy Bottle Incline (LB) | Scanned image | 150x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
670 | Green File: Lead Mining Photographs on the spine. | Sump in level / shaft (LB) | Scanned image | 165x110 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
671 | Green File: Lead Mining Photographs on the spine. | Drystone arched horse level at Sir Francis Level, Gunnerside Beck | Scanned image | 165.115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
672 | Green File: Lead Mining Photographs on the spine. | Flooder Level ? Sir Francis | Scanned image | 115x165 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
673 | Green File: Lead Mining Photographs on the spine. | Note on back: Level at Grinton Beck (SPE: I think that it may be Spence Level at Old Gang) | Scanned image | 120x180 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
674 | Green File: Lead Mining Photographs on the spine. | Lane End Mines Sump. See also: SWAAG Record | Scanned image | 165x110 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
675 | Green File: Lead Mining Photographs on the spine. | Said to be Grinton Knotts Level (SPE: not convinced it is Knotts Level which is at Old Gang it looks to big) | Scanned image | 165x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
676 | Green File: Lead Mining Photographs on the spine. | Collapsed timbers in Priscilla Level Gunnerside Gill - Lawrence Barker in the image | Scanned image | 115x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
677 | Green File: Lead Mining Photographs on the spine. | Looking past shaft debris towards the exit at Hard Level | Scanned image | 70x100 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
678 | Green File: Lead Mining Photographs on the spine. | Brandy Bottle | Scanned image | 150x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
679 | Green File: Lead Mining Photographs on the spine. | Booze Wood Level | Scanned image | 100x70 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
680 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - Hydraulic Motor House (part of) | Scanned image | 165x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
681 | Green File: Lead Mining Photographs on the spine. | Flooded level in Brandy Bottle in the 1960's | Scanned image | 155x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
682 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - Hydraulic Motor House (part of) - Hoist Platform 1960s | Scanned image | 170x110 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
683 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - Hydraulic Motor House (part of) - Hydraulic Motor 1960s | Scanned image | 115x170 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
684 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - Hydraulic Motor House (part of) - Hoist Platform 1960s | Scanned image | 115x80 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
685 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - Hydraulic Motor House 1960s | Scanned image | 80x120 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
686 | Green File: Lead Mining Photographs on the spine. | Mine Ventilation snippet | Scanned image | A4 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
687 | Green File: Lead Mining Photographs on the spine. | Mine information display card | Scanned image | 170x280 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
688 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - compressed air tank - display card | Scanned image | 240x185 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
689 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - compressed air tank information snippet | Scanned image | 200x40 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
690 | Green File: Lead Mining Photographs on the spine. | Sir Francis Level - compressed air tank - photograph (better quality) | Scanned image | 170x120 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
691 | Green File: Lead Mining Photographs on the spine. | Mine information display card | Scanned image | A4 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
692 | Green File: Lead Mining Photographs on the spine. | Gunnerside Beck Bouse teams with dressing floor and water wheel race in front | Scanned image | 150x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
693 | Green File: Lead Mining Photographs on the spine. | Prys Mine Bouse teams 2004 | Scanned image | 140x105 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
694 | Green File: Lead Mining Photographs on the spine. | Bunton Mine: Bowse Teams Gunnerside Beck | Scanned image | 190x160 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
695 | Green File: Lead Mining Photographs on the spine. | Old Gang Bouse Teams | Scanned image | 115x80 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
696 | Green File: Lead Mining Photographs on the spine. | Hotching Tub at Faggergill 1907 | Scanned image | 165x110 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
697 | Green File: Lead Mining Photographs on the spine. | AD Mines Dressing Floo and Buddles at Sir Francis Mine Gunnerside c1880 | Scanned image | 150x120 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
698 | Green File: Lead Mining Photographs on the spine. | Old Weigh House top of Great Punchard Gill | Scanned image | 150x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
699 | Green File: Lead Mining Photographs on the spine. | Mine information display card | Scanned image | 200x210 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
700 | Green File: Lead Mining Photographs on the spine. | Lead Bale site (LB) | Scanned image | 150x102 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
701 | Green File: Lead Mining Photographs on the spine. | Moorland Peat snippet | Scanned image | A5 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
702 | Green File: Lead Mining Photographs on the spine. | Old Gang Peat House - Display card | Scanned image | 195x140 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
703 | Green File: Lead Mining Photographs on the spine. | Old Gang Peat House - Photograph | Scanned image | 160x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
704 | Green File: Lead Mining Photographs on the spine. | Old Gang Peat House and mine building. 29/09/75 A P Wallace (Leicester) | Scanned image | 190x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
705 | Green File: Lead Mining Photographs on the spine. | Old Gang Peat House | Scanned image | 195x140 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
706 | Green File: Lead Mining Photographs on the spine. | Old Gang Peat House with mine buildings and Bouse Team beneath | Scanned image | 115x80 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
707 | Green File: Lead Mining Photographs on the spine. | Sumpter Pot ? from Marrick Smelt Mill | Scanned image | 165x120 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
708 | Green File: Lead Mining Photographs on the spine. | Surrender Smelt Mill flue which unusually becomes a 'level' until it pops up further up the fellside. Taken by A P Wallace 29/09/1975 | Scanned image | 155x185 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
709 | Green File: Lead Mining Photographs on the spine. | Surrender Smelt Mill flue looking back at the first chimney from the flue as it makes its way up to the later chimney. Surrender Bridge roads in the background. | Scanned image | 155x185 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
710 | Green File: Lead Mining Photographs on the spine. | Mine information display card | Scanned image | 200x180 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
711 | Green File: Lead Mining Photographs on the spine. | New Mill Langthwaite with flues exiting south up Mouldside | Scanned image | 155x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
712 | Green File: Lead Mining Photographs on the spine. | Surrender Smelt Mill flue. Early chimney in the foreground the later chimney now demolished was on the fell top. Taken by A P Wallace 29/09/1975 | Scanned image | 190x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
713 | Green File: Lead Mining Photographs on the spine. | New Mill Langthwaite with launder feeding water through the roof to the waterwheel. c1890. | Scanned image | 140x95 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
714 | Green File: Lead Mining Photographs on the spine. | Old Gang Smelt Mills and Peathouse on the horizon | Scanned image | 195x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
715 | Green File: Lead Mining Photographs on the spine. | Old Gang Mine building - 1975 A P Wallace | Scanned image | 190x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
716 | Green File: Lead Mining Photographs on the spine. | Old Gang reworking the spoil heaps for barytes - 29/09/75 A P Wallace | Scanned image | 190x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
717 | Green File: Lead Mining Photographs on the spine. | Old Gang Mine building - 1975 A P Wallace | Scanned image | 190x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
718 | Green File: Lead Mining Photographs on the spine. | Old Gang Smelt Mills | Scanned negative | 105x70 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
719 | Green File: Lead Mining Photographs on the spine. | Grinton Smelt Mill | Scanned image | 190x200 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
720 | Green File: Lead Mining Photographs on the spine. | | Scanned image | | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
721 | Green File: Lead Mining Photographs on the spine. | Bunton Mines Water wheel 1920 | Scanned image | 150x90 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
722 | Green File: Lead Mining Photographs on the spine. | Waterwheel CB Yard New Mill | Scanned image | 155x220 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
723 | Green File: Lead Mining Photographs on the spine. | No information on this image, it may be the flues exiting the New Mill | Scanned image | 200x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
724 | Green File: Lead Mining Photographs on the spine. | New Mill Waterwheel smaller imag | Scanned image | 115x165 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
725 | Green File: Lead Mining Photographs on the spine. | New Mill with CB Yard in the background | Scanned image | 80x80 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
726 | Green File: Lead Mining Photographs on the spine. | New Mill Hearths | Scanned image | 155x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
727 | Green File: Lead Mining Photographs on the spine. | Old Gang Smelt Mills | Scanned image | 150x100 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
728 | Green File: Lead Mining Photographs on the spine. | Octagonal Mill Flue up Mouldside | Scanned image | 155x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
729 | Green File: Lead Mining Photographs on the spine. | CB Powder House until dynamite replaced black powder when it became a candle store and a new more remote dynamite shed was built. | Scanned image | 205x190 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
730 | Green File: Lead Mining Photographs on the spine. | CB Powder House until dynamite replaced black powder when it became a candle store and a new more remote dynamite shed was built. | Scanned image | 190x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
731 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 205x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
732 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 205x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
733 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 150x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
734 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 165x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
735 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill - interior in 1941 | Scanned image | 105x75 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
736 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 115x80 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
737 | Green File: Lead Mining Photographs on the spine. | Jo Waller CB Yard Joiner in Octagonal Smelt Mill | Scanned image | 110x165 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
738 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 200x150 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
739 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill interior roof timbers | Scanned image | 200x155 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
740 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill interior roof timbers | Scanned image | 240x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
741 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill | Scanned image | 240x195 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
742 | Green File: Lead Mining Photographs on the spine. | Weighing Lead ingots at Richmond Station c1870. | Scanned image | 190x140 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
743 | Green File: Lead Mining Photographs on the spine. | No information but may relate to the next 4 images re emigration of Dales lead miners to the USA. | Scanned image | 240x120 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
744 | Green File: Lead Mining Photographs on the spine. | Richard Bonson home in Dubuque Iowa where many Dales miners emigrated to to mine lead. | Scanned image | 165x115 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
745 | Green File: Lead Mining Photographs on the spine. | reverse of previous image | Scanned image | as previous image | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
746 | Green File: Lead Mining Photographs on the spine. | lead mining in Iowa see records SM_07044/45 | Scanned image | 120x85 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
747 | Green File: Lead Mining Photographs on the spine. | reverse of previous image | Scanned image | as previous image | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
748 | Green File: Lead Mining Photographs on the spine. | Octagonal Smelt Mill interior roof timbers 1941. | Scanned image | 110x70 | This file also includes some documents. No obvious indication where many of these documents / images were obtained from. Images dates appears to range from 1870 to approx. 2010. |
749 | John Hardy Slides 1 | Hard Level | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
750 | John Hardy Slides 1 | Salvaging Dirk 1 | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
751 | John Hardy Slides 1 | Rise in Windegg Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
752 | John Hardy Slides 1 | Shaft at Swinnergill Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
753 | John Hardy Slides 1 | Bunting Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
754 | John Hardy Slides 1 | Priscilla Level | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
755 | John Hardy Slides 1 | JH Entering Smithy Mine Whitaside | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
756 | John Hardy Slides 1 | Shaft entry into Lane End Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
757 | John Hardy Slides 1 | Rise into Fryerfold Vein | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
758 | John Hardy Slides 1 | Plate Hole Mine Crackpot | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
759 | John Hardy Slides 1 | JH outside Bunting Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
760 | John Hardy Slides 1 | Salvaging Dirk 1 (Peter Hardy) | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
761 | John Hardy Slides 1 | Salvaging Dirk 1 seeing daylight again (Faggergill) | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
762 | John Hardy Slides 1 | Salvaging Dirk 2 | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
763 | John Hardy Slides 1 | Site where Dirk 1 was found JH with Chris | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
764 | John Hardy Slides 1 | Fremie Hutchinson standing on the rim of Nuthole Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
765 | John Hardy Slides 1 | Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
766 | John Hardy Slides 1 | Dirks in Reeth Museum | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
767 | John Hardy Slides 1 | Hopper on Old Rake Vein (Bearpark's Rise) | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
768 | John Hardy Slides 1 | West Stonesdale Mine looking up shaft to daylight | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
769 | John Hardy Slides 1 | Supporting a weak wall - Fryerfold vein Miller & Cut | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
770 | John Hardy Slides 1 | Rutter's Rise from Priscilla to Blind Gill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
771 | John Hardy Slides 1 | Instability in Swinnergill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
772 | John Hardy Slides 1 | Skilled arching in Moulds Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
773 | John Hardy Slides 1 | Stone arching in Swinnergill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
774 | John Hardy Slides 1 | Stone arching in Swinnergill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
775 | John Hardy Slides 1 | Swinnergill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
776 | John Hardy Slides 1 | Worked out vein in Windegg Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
777 | John Hardy Slides 1 | Hopper in Windegg Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
778 | John Hardy Slides 1 | Crackpot Mine showing traces of iron and copper. | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
779 | John Hardy Slides 1 | Arching in Blind Gill Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
780 | John Hardy Slides 1 | Blind Gill Mine: Reynoldson's cross-cut | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
781 | John Hardy Slides 1 | Priscilla Mine: Interesting walling on the Watersykes Vein | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
782 | John Hardy Slides 1 | Gorton Level date (1811) when mine opened. | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
783 | John Hardy Slides 1 | Moulds Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
784 | John Hardy Slides 1 | Moulds Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
785 | John Hardy Slides 1 | Moulds Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
786 | John Hardy Slides 1 | JH at Faggergill No.1 level | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
787 | John Hardy Slides 1 | Shaft in West Stonesdale Moor Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
788 | John Hardy Slides 1 | Priscilla Level - collapse | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
789 | John Hardy Slides 1 | Barras End Level | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
790 | John Hardy Slides 1 | Hopper rise in Winegg Mine | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
791 | John Hardy Slides 1 | CB Inn | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
792 | John Hardy Slides 1 | Hungry Hushes - green area in middle is top of chert tramway | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
793 | John Hardy Slides 1 | Red Lion Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
794 | John Hardy Slides 1 | Grinton Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
795 | John Hardy Slides 1 | Punchard Coal pit | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
796 | John Hardy Slides 1 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
797 | John Hardy Slides 1 | Water Crag House ruins - Used by a shepherd. | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
798 | John Hardy Slides 1 | Reeth in the partial snow from Grinton Lodge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
799 | John Hardy Slides 1 | Ruins above Barf Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
800 | John Hardy Slides 1 | Grinton Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
801 | John Hardy Slides 1 | Bolt John's cottage, Booze which was also used as a Chapel. | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
802 | John Hardy Slides 1 | Ivelet | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
803 | John Hardy Slides 1 | Faggergill: Remains of the old Smithy. Now a Shooting Lodge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
804 | John Hardy Slides 1 | John Hardy first visit to Swaledale in 1946 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
805 | John Hardy Slides 1 | Methodist Quarterly meeting Muker 1955 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
806 | John Hardy Slides 1 | Marriage of John Hardy and Thelma Jackson in July 1956 at Reeth Methodist Chapel | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
807 | John Hardy Slides 1 | Gunnerside Football Team 1954/55. John Hardy back row 2nd from left. | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
808 | John Hardy Slides 1 | East Stonesdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
809 | John Hardy Slides 1 | Hurst Chapel built 1815 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
810 | John Hardy Slides 1 | Foregill Gate site of former Low Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
811 | John Hardy Slides 1 | Fremington from Grinton lodge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
812 | John Hardy Slides 1 | Wetshaw | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
813 | John Hardy Slides 1 | Hungrey hushes / Black Mires dam lower Mouldside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
814 | John Hardy Slides 1 | Wetshaw | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
815 | John Hardy Slides 1 | Old Hurst mine with Mrs Hardy | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
816 | John Hardy Slides 1 | Arkengarthdale Smelt Mills Flues on Mouldside where the double flue separates to old and new chimneys | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
817 | John Hardy Slides 1 | Blakethwaite Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
818 | John Hardy Slides 1 | Cringley Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
819 | John Hardy Slides 1 | Foregill Gate Ford | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
820 | John Hardy Slides 1 | Old Gang Smelt Mills | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
821 | John Hardy Slides 1 | Swinnergill Mine Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
822 | John Hardy Slides 1 | Crackpot Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
823 | John Hardy Slides 1 | Crackpot Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
824 | John Hardy Slides 1 | New Level Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
825 | John Hardy Slides 1 | Swale Valley from Crackpot | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
826 | John Hardy Slides 1 | Stone House Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
827 | John Hardy Slides 1 | Buttertubs Pass Oct 1987 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
828 | John Hardy Slides 1 | Stone House Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
829 | John Hardy Slides 1 | Stone House and Lane End Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
830 | John Hardy Slides 1 | Shaft Lane End Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
831 | John Hardy Slides 1 | Brown Shaft Hurst | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
832 | John Hardy Slides 1 | Cat Shaft Hurst | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
833 | John Hardy Slides 1 | Brown Shaft | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
834 | John Hardy Slides 1 | Uncertain | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
835 | John Hardy Slides 1 | Swinnergill Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
836 | John Hardy Slides 1 | Lowanthwaite (interesting slide as there is no evidence of smelt mill at Lowanthwaite now) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
837 | John Hardy Slides 1 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
838 | John Hardy Slides 1 | Kisdon | 35mm Colour Transparency Scan of a photo of a printed photograph | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
839 | John Hardy Slides 1 | Summer Lodge Tarn | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
840 | John Hardy Slides 1 | Summer Lodge Tarn | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
841 | John Hardy Slides 1 | New Whim Shaft | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
842 | John Hardy Slides 1 | Old Gang Forefield | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
843 | John Hardy Slides 1 | Shafts on the Great Blackside Vein | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
844 | John Hardy Slides 1 | George and Water Blast Veins | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
845 | John Hardy Slides 1 | Mining Landscape | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
846 | John Hardy Slides 1 | JH queried if this was Kay Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
847 | John Hardy Slides 1 | JH queried if this was Kay Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
848 | John Hardy Slides 1 | JH queried if this was Kay Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
849 | John Hardy Slides 1 | Sir Francis Level - compressed air tank | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
850 | John Hardy Slides 1 | Area of George Vein | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
851 | John Hardy Slides 1 | Inside a Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
852 | John Hardy Slides 1 | Inside a Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
853 | John Hardy Slides 1 | Blakethwaite Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
854 | John Hardy Slides 1 | Sir Francis Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
855 | John Hardy Slides 1 | Sir Francis Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
856 | John Hardy Slides 1 | Kisdon | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
857 | John Hardy Slides 1 | (Castle Farm A'dale) [Doesn't look right for Castle farm] See 0966 and 1080 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
858 | John Hardy Slides 1 | Brownsea House | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
859 | John Hardy Slides 1 | West Stonesdale Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
860 | John Hardy Slides 1 | West Stonesdale Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
861 | John Hardy Slides 1 | West Stonesdale Mine Engine House | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
862 | John Hardy Slides 1 | Level House Old Gang | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
863 | John Hardy Slides 1 | Former Whaw Chapel | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
864 | John Hardy Slides 1 | Ruined Miners Cottages at Booze | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
865 | John Hardy Slides 1 | Ruined Miners Cottages at Booze | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
866 | John Hardy Slides 1 | Jabez Raisbeck's stone seat on Fremington Edge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
867 | John Hardy Slides 1 | Former Smithy Shaw Level Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
868 | John Hardy Slides 1 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
869 | John Hardy Slides 1 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
870 | John Hardy Slides 1 | Surrender Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
871 | John Hardy Slides 1 | Looking up shaft at West Stonesdale Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
872 | John Hardy Slides 1 | This looks like a level but is labelled: Inside West Stonesdale Mine Engine House | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
873 | John Hardy Slides 1 | Flooded shaft at West Stonesdale Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
874 | John Hardy Slides 1 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
875 | John Hardy Slides 1 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
876 | John Hardy Slides 1 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
877 | John Hardy Slides 1 | Ruined Miners Cottages at Booze | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
878 | John Hardy Slides 1 | Mouldside / Hungry Hushes / Tottergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
879 | John Hardy Slides 1 | Old Gang Smelt Mills | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
880 | John Hardy Slides 1 | Hungry Hushes - green area in middle is top of chert tramway | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
881 | John Hardy Slides 1 | New Mill with CB Yard in the background | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
882 | John Hardy Slides 1 | Surrender Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
883 | John Hardy Slides 1 | Ivelet Bridge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
884 | John Hardy Slides 1 | Ivelet Bridge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
885 | John Hardy Slides 1 | Kisdon | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
886 | John Hardy Slides 1 | Tan Hill Inn | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
887 | John Hardy Slides 1 | Kisdon Force | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
888 | John Hardy Slides 1 | Grinton Church Yard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
889 | John Hardy Slides 1 | Booze | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
890 | John Hardy Slides 1 | Wetshaw and shafts on the Blackside Vein in the background | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
891 | John Hardy Slides 1 | Swale at Richmond | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
892 | John Hardy Slides 1 | Lower Marrick Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
893 | John Hardy Slides 1 | Blakethwaite Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
894 | John Hardy Slides 1 | Punchard Lime Kilns | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
895 | John Hardy Slides 1 | Punchard Coal pit Smithy come dwelling | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
896 | John Hardy Slides 1 | Replica Miners Tools made by Brian Hubble | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
897 | John Hardy Slides 1 | Reeth from Grinton | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
898 | John Hardy Slides 1 | Reeth from Grinton | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
899 | John Hardy Slides 1 | Cringley Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
900 | John Hardy Slides 1 | Tan Hill Pit | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
901 | John Hardy Slides 1 | Stone House | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
902 | John Hardy Slides 1 | Oxnop Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
903 | John Hardy Slides 1 | Crackpot Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
904 | John Hardy Slides 1 | Smithy Crackpot Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
905 | John Hardy Slides 1 | Old Field Hush - Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
906 | John Hardy Slides 1 | Cringley Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
907 | John Hardy Slides 1 | Smithy Hungry Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
908 | John Hardy Slides 1 | Bunting Mine Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
909 | John Hardy Slides 1 | Dressing Floor Plate Hole Mine Crackpot | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
910 | John Hardy Slides 1 | Shafts above Tottergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
911 | John Hardy Slides 1 | Swinnergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
912 | John Hardy Slides 1 | William Gill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
913 | John Hardy Slides 1 | Kisdon Gorge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
914 | John Hardy Slides 1 | Buttertubs Pass Oct 1987 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
915 | John Hardy Slides 1 | Looking towards Crackpot from Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
916 | John Hardy Slides 1 | Merryfield House Old Gang | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
917 | John Hardy Slides 1 | Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
918 | John Hardy Slides 1 | Swaledale from Fremington Edge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
919 | John Hardy Slides 1 | Healaugh and Calva | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
920 | John Hardy Slides 1 | Healaugh and Calva | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
921 | John Hardy Slides 1 | Draycott Hall Fremington | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
922 | John Hardy Slides 1 | Old Toll House | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
923 | John Hardy Slides 1 | Marrick Church site of old Priory | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
924 | John Hardy Slides 1 | Londsdale Broderick's grave above Spring End | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
925 | John Hardy Slides 1 | Ruins of Ellerton Priory | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
926 | John Hardy Slides 1 | Haverdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
927 | John Hardy Slides 1 | Swale Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
928 | John Hardy Slides 1 | Looking from Moulds Mine towards CB inn | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
929 | John Hardy Slides 1 | Arlke Beck in Winter | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
930 | John Hardy Slides 1 | Red Lion Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
931 | John Hardy Slides 1 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
932 | John Hardy Slides 1 | Swale Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
933 | John Hardy Slides 1 | Feetham from Broca bank | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
934 | John Hardy Slides 1 | Jabez Raisbeck's stone seat on Fremington Edge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
935 | John Hardy Slides 1 | Feetham | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
936 | John Hardy Slides 1 | Foregill Gate Ford | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
937 | John Hardy Slides 1 | Former Primitive Methodist Chapel Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
938 | John Hardy Slides 1 | Red Lion Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
939 | John Hardy Slides 1 | Old Powder House CB Yard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
940 | John Hardy Slides 1 | Chert Tramway Mouldside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
941 | John Hardy Slides 1 | Isles | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
942 | John Hardy Slides 1 | Old Gang Smelt Mills | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
943 | John Hardy Slides 1 | 'Past and Present' | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
944 | John Hardy Slides 1 | Ravenseat | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
945 | John Hardy Slides 1 | Pryes Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
946 | John Hardy Slides 1 | Wain Wath | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
947 | John Hardy Slides 1 | First Chapel in Swaledale graveyard gifted by Lord Wharton 1690 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
948 | John Hardy Slides 1 | Wain Wath | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
949 | John Hardy Slides 1 | Feetham | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
950 | John Hardy Slides 2 | Grinton Bridge rebuilt in 1797 by John Carr | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
951 | John Hardy Slides 2 | Booze and Sleigill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
952 | John Hardy Slides 2 | Thwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
953 | John Hardy Slides 2 | Gunnerside looking towards Blakethwaite Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
954 | John Hardy Slides 2 | Looking from Bunton waterwheel race towards Lownathwaite Mines | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
955 | John Hardy Slides 2 | Dressing Floor opposite to Sir Francis | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
956 | John Hardy Slides 2 | Dolly Level | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
957 | John Hardy Slides 2 | Ancient artifact | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
958 | John Hardy Slides 2 | Punchard Coal pit | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
959 | John Hardy Slides 2 | Swaledale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
960 | John Hardy Slides 2 | Bunton Mine: Bowse Teams Gunnerside Beck | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
961 | John Hardy Slides 2 | Low Marrick Mill hearths | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
962 | John Hardy Slides 2 | Punchard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
963 | John Hardy Slides 2 | Booze and Fell End | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
964 | John Hardy Slides 2 | Ruined Miners Cottages at Booze | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
965 | John Hardy Slides 2 | Turnip House nr Low Row | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
966 | John Hardy Slides 2 | Castle Farm sat in between the Arkle Beck and Fremington Edge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
967 | John Hardy Slides 2 | New Whim Shaft - Old Gang Forefield | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
968 | John Hardy Slides 2 | Miners tools | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
969 | John Hardy Slides 2 | Octagon Mill Flue as it passes under the Tan Hill Road | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
970 | John Hardy Slides 2 | Turf Moor Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
971 | John Hardy Slides 2 | Swale at Richmond | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
972 | John Hardy Slides 2 | Bunting Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
973 | John Hardy Slides 2 | Marrick Church and site of old Priory | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
974 | John Hardy Slides 2 | Smithy Hungry Hush | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
975 | John Hardy Slides 2 | Brownsea House: This was used as a Methodist Chapel for a time, and is intimately associated with John Wesley's revival. | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
976 | John Hardy Slides 2 | First place of worship for Reeth Methodists | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
977 | John Hardy Slides 2 | Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
978 | John Hardy Slides 2 | Cringley Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
979 | John Hardy Slides 2 | Swinnergill Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
980 | John Hardy Slides 2 | Lime Kiln | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
981 | John Hardy Slides 2 | Tan Hill Inn May 1973 | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
982 | John Hardy Slides 2 | Defensive Bank on Harkerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
983 | John Hardy Slides 2 | Maiden Castle | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
984 | John Hardy Slides 2 | Ivelet Bridge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
985 | John Hardy Slides 2 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
986 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
987 | John Hardy Slides 2 | Hungry Hushes Chert Tramway | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
988 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
989 | John Hardy Slides 2 | Wain Wath | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
990 | John Hardy Slides 2 | Harkerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
991 | John Hardy Slides 2 | Spring End Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
992 | John Hardy Slides 2 | Replica Miners Tools made by Brian Hubble | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
993 | John Hardy Slides 2 | Buttertubs Pass | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
994 | John Hardy Slides 2 | Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
995 | John Hardy Slides 2 | Swaledale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
996 | John Hardy Slides 2 | Wain Wath | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
997 | John Hardy Slides 2 | Grinton Moor Coal Pits | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
998 | John Hardy Slides 2 | Hart Lakes | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
999 | John Hardy Slides 2 | Swale Hall | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1000 | John Hardy Slides 2 | Ellerton Priory | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1001 | John Hardy Slides 2 | The Half Moon | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1002 | John Hardy Slides 2 | Ravenseat | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1003 | John Hardy Slides 2 | Above Downholme | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1004 | John Hardy Slides 2 | Hurst Chapel | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1005 | John Hardy Slides 2 | Old Gang Smelt Mills | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1006 | John Hardy Slides 2 | Swinnergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1007 | John Hardy Slides 2 | Swinnergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1008 | John Hardy Slides 2 | Plate Hole Mine Crackpot | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1009 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1010 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1011 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1012 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1013 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1014 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1015 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1016 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1017 | John Hardy Slides 2 | Punchard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1018 | John Hardy Slides 2 | Punchard - wheel pit | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1019 | John Hardy Slides 2 | Old Workhouse | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1020 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1021 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1022 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1023 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1024 | John Hardy Slides 2 | Plate Hole or Low Level Beldi Hill Mines- Dressing Floor Bingsteds | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1025 | John Hardy Slides 2 | Merryfield House Old Gang | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1026 | John Hardy Slides 2 | Brownsea House: This was used as a Methodist Chapel for a time, and is intimately associated with John Wesley's revival. | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1027 | John Hardy Slides 2 | Marrick Mill hearth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1028 | John Hardy Slides 2 | Keld Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1029 | John Hardy Slides 2 | Thwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1030 | John Hardy Slides 2 | Sir Francis Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1031 | John Hardy Slides 2 | Sir Francis Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1032 | John Hardy Slides 2 | Sir Francis Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1033 | John Hardy Slides 2 | Gunnerside Barbara Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1034 | John Hardy Slides 2 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1035 | John Hardy Slides 2 | Gunnerside | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1036 | John Hardy Slides 2 | Old Field Hush - Keld | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1037 | John Hardy Slides 2 | Muker | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1038 | John Hardy Slides 2 | Lane End Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1039 | John Hardy Slides 2 | Lane End Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1040 | John Hardy Slides 2 | Swale (Keld area) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1041 | John Hardy Slides 2 | Swinnergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1042 | John Hardy Slides 2 | Ravenseat | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1043 | John Hardy Slides 2 | Ruin ? on Ellerton Moor where the coal pits located | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1044 | John Hardy Slides 2 | Scar House A'dale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1045 | John Hardy Slides 2 | Marrick | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1046 | John Hardy Slides 2 | Marrick | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1047 | John Hardy Slides 2 | Pryes Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1048 | John Hardy Slides 2 | Draycott Hall Fremington | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1049 | John Hardy Slides 2 | Surrender Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1050 | John Hardy Slides 2 | Prys Mine | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1051 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1052 | John Hardy Slides 2 | Marrick Smelt Mills | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1053 | John Hardy Slides 2 | Grinton Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1054 | John Hardy Slides 2 | Lowanthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1055 | John Hardy Slides 2 | View from the Hagg (Reels Head) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1056 | John Hardy Slides 2 | Punchard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1057 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1058 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1059 | John Hardy Slides 2 | Arkengarthdale sheep grazing | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1060 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1061 | John Hardy Slides 2 | View from School Hill Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1062 | John Hardy Slides 2 | View from School Hill Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1063 | John Hardy Slides 2 | Blakethwaite Dams | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1064 | John Hardy Slides 2 | View from the Hagg (Reels Head) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1065 | John Hardy Slides 2 | Unknown | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1066 | John Hardy Slides 2 | Low Row Chapel | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1067 | John Hardy Slides 2 | Old Marker Stone | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1068 | John Hardy Slides 2 | Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1069 | John Hardy Slides 2 | Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1070 | John Hardy Slides 2 | Faggergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1071 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1072 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1073 | John Hardy Slides 2 | Arkengarthdale | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1074 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1075 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1076 | John Hardy Slides 2 | Red Lion Langthwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1077 | John Hardy Slides 2 | View from the Hagg (Reels Head) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1078 | John Hardy Slides 2 | View from the Hagg (Reels Head) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1079 | John Hardy Slides 2 | Low Row Chapel | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1080 | John Hardy Slides 2 | Castle Farm sat in between the Arkle Beck and Fremington Edge | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1081 | John Hardy Slides 2 | (View from Hungry Hushes) | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1082 | John Hardy Slides 2 | Blakethwaite Dam | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1083 | John Hardy Slides 2 | Blakethwaite Dam | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1084 | John Hardy Slides 2 | East Grain Swinnergill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1085 | John Hardy Slides 2 | Gunnerside looking towards Blakethwaite Smelt Mill | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1086 | John Hardy Slides 2 | New Mill ruin and CB Yard | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1087 | John Hardy Slides 2 | gunnerside ? Blakethwaite | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1088 | John Hardy Slides 2 | Blakethwaite Dam | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1089 | John Hardy Slides 2 | Bunting Mine area | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1090 | John Hardy Slides 2 | Reeth | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1091 | John Hardy Slides 2 | Arkengarthdale Road | 35mm Colour Transparency Scan | 35mm Colour Transparency | Transparencies appear mainly from the 1970s - 1980s although some may be later. There is varying processing quality depending on the film stock used. |
1092 | John Hardy Slides 2 | Richmond | |